Angela Brown Backround Slide 01

ABOUT

Angela Brown Ltd is the preeminent resource for discerning designers and architects. By curating and combining the finest textiles, leathers, wallcoverings, lighting, furniture, rugs and other interior elements, we are able to provide exclusive products of only the highest quality.

What we offer allows for meticulous expression in exquisite materials.

July 15, 2014

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Textiles

Abrasion Resistance

The degree to which a fabric is able to withstand surface wear, rubbing, chafing, and other friction forces.

Brocade

Brocades are typically ornate, jacquard-woven fabrics. The pattern is usually emphasized by contrasting surfaces and colors, and appears on the face of the fabric, which is distinguished easily from the back. Uses include apparel, draperies, upholstery, and other decorative purposes.

Brocatelle

A fabric similar to brocade but with designs in high relief, made on a jacquard loom. The fabric usually has a firm texture and high yarn count. The pattern, a distinctive blistered or puffed appearance, generally is formed by warp satin floats. Uses include draperies and upholstery.

Chenille

A fuzzy yarn with a pile that resembles a caterpillar. Used mainly for decorative fabrics, embroidery, tassels, and rugs. Sometimes used broadly to define a fabric woven from chenille yarns.

Colorfast

A term used to describe fabrics of sufficient color retention such that no noticeable change in shade takes place during the "normal" life of the fabric. Virtually all textile dyes are rated according to their color life span.

Cotton

A soft, natural, vegetable fiber obtained from the seedpod of the cotton plant. Cotton is the most widely used fiber in the world because of its versatility and ability to provide good comfort, particularly in apparel items. Its origins date back to 3,000 BC.

The chemical composition of cotton is almost pure cellulose. In its raw, undyed form, the normal color of cotton is a light to dark cream, though it may also be brown or green depending on the variety. Cotton fiber lengths vary from less than one-half inch to more than two inches. Generally, long length cotton fibers are of better quality.

Crewel

A true crewel fabric is embroidered with crewel yarn (a loosely twisted, two-ply wool) on a plain weave fabric. Traditional crewel fabrics are hand-woven and embroidered in India. The design motif for crewel work is typically outlines of flowers, vines, and leaves, in one or many colors. Modern weaving technology and inventive designers create traditional crewel looks with weave effects alone, without the use of embroidery.

Crocking

The tendency of excess dyes to rub off. Napped and pile fabrics in deep colors are most likely to crock. The textile industry has set standards and tests to measure and prevent crocking. Yarns and woven fabric can be rated for both wet and dry crocking.

Damask

Originally a firm, glossy Jacquard-patterned fabric made in China and brought to the Western world by Marco Polo in the 13th century. Damascus was the center of fabric trade between East and West, hence the name. Damask fabrics are reversible and are characterized by a combination of satin and sateen weaves. The design motifs are typically distinguished from the ground by contrasting luster. Damasks are similar to brocades, but flatter. They are used mainly for curtains, draperies, and upholstery.

Dobby Loom

A type of loom on which small, geometric figures can be woven in as a regular pattern. Originally this type of loom needed a "dobby boy" who sat on the top of the loom and drew up warp threads to form a pattern. Now the weaving is done entirely by machine. Dobby looms produce patterns which are beyond the range of simple looms, but are somewhat limited compared to a jacquard loom, which has a wider range of pattern capabilities.

Double-Width Loom

A type of loom that can produce fabric in widths up to 280 cm (108"). These are typically used to produce 140 cm (54") width fabrics by inserting a knife at the halfway point and adding a woven selvage at the center of the loom.

Epinglé

A special high loop construction produced in Belgium on velvet wire looms. It is essentially a velvet, but without the usual shearing process after weaving. They are often called Moquettes, which is French for "uncut." Usually, epinglés are made from the highest grades of cotton, producing a very soft hand and good durability test results.

Finishing

A general term which refers to treatment of a fabric to add a desired quality. Different types of finishing processes include, but are not limited to: washing, drying, shrink control, needle-punching, napping, shearing, backcoating, and stain repellent finishes such as Scotchguard™ and Teflon™.

A finish often contributes to a fabric's "feel" or "hand." It may also contribute characteristics such as bulk or loft, as well as resistance to abrasion. For example, backcoating a fabric adds durability.

Greige Goods

A term used to describe cloth woven on a loom with warp and filling yarns that have not been dyed. The woven fabric may be dyed later after weaving, as in piece dyed fabrics.

Jacquard

An intricate method of weaving invented by Joseph Marie Jacquard during the years 1801-1804, by which a headmotion at the top of the loom holds and operates a set of punched paper cards, according to the motif desired. Each punched perforation controls the action of one warp end for the passage of one pick. In modern looms, the punched cards have been replaced by diskettes, or the commands are directly downloaded from a network computer.

Jacquard looms allow for large, intricate designs like a floral or large geometric. Damasks, brocades, brocatelles, and tapestries are examples of woven jacquards.

Martindale Tester

A European abrasion testing machine that is also used in ASTM (American Society for Testing and Materials) tests for fabric abrasion resistance and pilling resistance.

Matelassé

A rather soft, double cloth or compound fabric. Matelassés give blistered, puckered, quilted, or wadded effects depending on the cloth construction used. Made on Jacquard looms, the heavier constructions are used for coverlets, pillows, and upholstery.

Ombre

A graduated or shaded effect of color. An ombre may range from light to dark tones of one color, or may be a shading of three or more colors to achieve a rainbow effect.

Paisley

An Oriental pattern motif that is shaped like a teardrop, rounded at one end with a curving point at the other. Generally the inside of the teardrop shape contains many abstract designs, many of Indian or Oriental origin. Traditionally used on cashmere shawls imported to Europe from India, it was an important decorative motif in imitation cashmere shawls made in Paisley, Scotland and it is from this usage that the name is derived.

Piece Dyed Fabric

Fabric that is dyed after it is woven, in full piece form. The greige goods for piece dying can be cotton, polyester, or blends. The construction can be a dobby, jacquard, epinglé, or a velvet.

Polyester

A synthetic, man-made fiber produced from the polymerization of ethylene glycol and dimethyl terephalate or terephthalic acid. Some characteristics of polyester include crease resistance, ability to dry quickly, shape retention in garments, high strength, abrasion resistance, and minimum care requirements. Polyester is a very important fiber in upholstery fabrics. It is often used in warps due to its strength and because it is relatively inexpensive. Other yarns, particularly cotton, are often used as filling yarns on polyester warps to add texture and mixed color effects.

Printed Fabrics

Textiles with design elements or motifs that are applied to the surface of the fabric with colorants such as dyes or pigments. This is as opposed to woven fabrics in which the design is created in the weaving as part of the structure of the textile itself. Many different types of printing methods exist, including rotary screen printing, heat transfer printing, and block printing.

Railroaded

A term that describes the orientation of a pattern's direction. When looking at a railroaded pattern, the filling yarns are in the vertical direction, while the warp yarns are in the horizontal direction. Some industries and manufacturers prefer railroaded patterns, while others prefer up-the-roll patterns for their application. For example, a sofa upholsterer may prefer a railroaded pattern in order to avoid excessive seams and waste fabric.

Repeat

A complete unit of pattern for design. Repeats vary in size considerably, depending on the weave, type of material, texture, and the use of the cloth. Measured vertically and horizontally, repeat information is used in defining how to layout the fabric on the furniture.

Seam Slippage

A measure of a fabric's ability to hold together when sewn so that the furniture doesn't pull apart at the seams. Seam slippage may be affected by improper woven construction or finish, or may also be caused by stitching that does not have proper holding power. There are laboratory tests that determine the seam integrity of a woven fabric.

Selvage

The lengthwise or warpwise edge of a woven fabric. The point at which the weft yarns bind the warp to form a finished edge.

Slub Yarn

A yarn of any fiber that is irregular in diameter and characterized by contrasting fat and thin areas along the length of the yarn. The effect may be purposely created to enhance a woven or knitted material, or may occur in error as a yarn flaw.

Tapestry

Originally ornamental Oriental embroideries in which colored threads of wool, gold, silk or silver were interspersed for adornment. In the textile industry, a tapestry warp differs from a typical solid colored warp in that it is multicolored. "True" tapestries have at least 6 different colors in the warp, but tapestry-type looks can be achieved with four-color warps. Because of the beautiful, multi-colored detail effects, tapestry constructions are popular in a range of styles from scenic novelties to intricate florals.

Velvet

A warp pile cloth in which rows of short cut pile stand so close together as to form an even, uniform surface; appealing in look and with soft hand. First made of all silk, many different fibers are now used in velvet constructions. When the pile is more than one-eighth of an inch in height the cloth is then called plush.

Viscose

A special form of rayon that is produced by putting wood pulp or cotton linters through a specialized spinning and chemical process. Viscose yarn is popular in high-end upholstery fabrics, particularly viscose chenilles, because of the yarn's lustrous appearance and strength.

Warp

The yarns that run vertically or lengthwise in woven goods. The warp yarns are threaded through the loom before weaving begins. In upholstery fabrics, the warp yarns are typically finer than the fill or weft yarns, but not always.

Weft

The crosswise or filling pick yarns in a woven cloth, as opposed to the warp yarns. This term is popular in hand weaving circles in the USA, while in the industry the term filling is more popular. Both words, however, have the same meaning.

Wyzenbeck Tester

An abrasion testing machine used in ASTM (American Society for Testing and Materials) tests for fabric abrasion resistance.

Yarn

A generic term for an assemblage of fibers or filaments, either natural or man-made, twisted together to form a continuous strand that can be used for weaving, knitting, braiding, or the manufacture of lace, or otherwise made into a textile material. In upholstery fabrics, the most commonly used yarns are made of cotton, polyester, acrylic, rayon, and polypropylene.

Yarn Dyed Fabric

Fabric woven with yarns that have been dyed prior to the weaving of the goods. This is as opposed to piece dyed fabrics, which are woven with undyed warp and fill yarns.

CONTACT

Angela Brown Ltd
153 W 27 NYC 10001

212 627 5757

info@ablnyc.com

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The detail in the detail
is where precision lives

EVERY DETAIL SHOULD MERGE
TO CREATE A MORE ORDERED AND
WELL-DESIGNED environment

ARTISTIC EXPRESSION
IS IGNITED BY ACCESS TO
THE FINEST RESOURCES

THE ARTISAN RENDERS
THE SUBTLEST DETAILS
WITH HIS HANDS AND MIND

ONE MUST BE CURRENT
IF ONE IS CLASSIC THEN
ONE IS ALWAYS CURRENT

Angela Brown Backround Slide 01 Angela Brown Backround Slide 02 Angela Brown Backround Slide 03 Angela Brown Backround Slide 04 Angela Brown Backround Slide 05 Angela Brown Backround Slide 06 Angela Brown Backround Slide 07 Angela Brown Backround Slide 08 Angela Brown Backround Slide 09 Angela Brown Backround Slide 10